Mission: Impossible–Ghost Protocol [Blu-Ray]
Director : Brad Bird
Screenplay : Josh Appelbaum & André Nemec (based on the television series created by Bruce Geller)
MPAA Rating : PG-13
Year of Release : 2011
Stars : Tom Cruise (Ethan Hunt), Jeremy Renner (Brandt), Simon Pegg (Benji), Paula Patton (Jane), Michael Nyqvist (Hendricks), Vladimir Mashkov (Sidorov), Samuli Edelmann (Wistrom), Ivan Shvedoff (Leonid Lisenker), Anil Kapoor (Brij Nath), Léa Seydoux (Sabine Moreau), Josh Holloway (Hanaway), Pavel Kris (Marek Stefanski), Miraj Grbic (Bogdan), Ilia Volok (The Fog), Goran Navojec (Burly Russian Prisoner), Pavel Bezdek (Prison Guard)
Despite the unwieldy title, Mission: Impossible–Ghost Protocol, the fourth entry in the now 15-year-old franchise based on the cult 1960s television series, is an effectively enthralling back-to-basics action thriller. Moving away from J.J. Abrams’s Alias-inspired experimentation in mixing international espionage and familial tensions in Mission: Impossible III (2006), Ghost Protocol is a more straightforward slice of meat-and-potatoes spectacle with just enough emotional subplotting to give the action extravaganza a hint of depth.
Seeking to reclaim the mega-watt action movie star persona that was tarnished by the ho-hum response to his tentpole action-comedy Knight and Day (2010), Tom Cruise returns as Ethan Hunt, the intense, clenched-jaw point man for the secretive IMF (Impossible Mission Force). Interestingly, though, the films opens not with him saving someone, but rather with him being saved from the dank bowels of a Russian prison where he has been held for an undetermined length of time and for reasons that are not made clear until deep into the story. The team extracting him includes Benji (Simon Pegg), the comic-relief computer expert introduced in M:i:III, and Jane (Paula Patton), an IMF agent who is both angry and guilt-ridden about the recent killing of another agent (Josh Holloway) with whom she was romantically involved.
As soon as Ethan has broken out of prison, the group is sent on a mission to infiltrate the Kremlin to steal nuclear launch codes. The mission goes south when the codes are stolen out from underneath them and then the team is framed for bombing the Kremlin. They are quickly disavowed by the government (although they gain an additional member in Jeremy Renner’s Brandt, an IMF analyst with his own big secret), which means they must clear their names and stop the nuclear ambitions of Hendricks (Michael Nyqvist), an international nuclear scholar-turned-psychotic with delusional plans of attaining world peace by annihilating most of it. This gives Ghost Protocol an old-school Cold War feel more in line with the original TV series, but updated for the post-9/11 era of rogue parties and constantly shifting allegiances among nations. Unfortunately, the film loses out on having a truly notable villain, especially following Philip Seymour Hoffman’s nasty turn in the third film; Nyqvist simply doesn’t have the menace to leave much of an impression.
The team’s first stop is the Burj Khalifa in Dubai, which at 2,716 feet, is the world’s tallest building. There the team must pull off the seemingly impossible feat of intercepting the exchange of the launch codes between Hendricks and Sabine Moreau (Léa Seydoux), the assassin who took out Jane’s boyfriend. That would be difficult enough, but the mission is infinitely complicated when they realize that, in order for Benji to hack into the building’s computer system, Ethan must get into the mainframe room from outside the building—130 stories up. This provides the film with its signature sequence, which finds Ethan clinging to the outside of the mostly glass building like Spider-Man courtesy of a pair of electronic glue gloves that work only intermittently, while the clock ticks away and a massive sandstorm emerges on the horizon (kudos to Cruise for actually doing the stunt-work himself, which gives the entire sequence the kind of dazzling, stomach-churning suspense and you-are-there-ness that even the best CGI work can’t quite replicate).
Although it is the standout, the Burj Khalifa sequence is only one of numerous “impossible” missions, and as the film moves forward with an increasing sense of drive and intensity, so does the action spectacle. As I have mentioned in previous reviews, no mainstream star mines the intersections of anger and determination like Cruise, and he pulls out all the stops here (no one runs on screen with such single-minded intensity, as if life itself rests on each high-knee stride). The screenplay by television veterans Josh Appelbaum and André Nemec (Alias, Life on Mars) provides a wide variety of situations for Cruise to flex his physical and emotional muscles, although there is some democracy in allowing Renner, Pegg, and Patton to each have their “moments,” as well.
The laws of physics, however, are not paid their due respect, and at times you might think that the movie is actually an extended promotional piece for the amazing ability of air bags to leave people unscathed even after high-speed head-on collisions and 100-foot drops. Director Brad Bird, who has until now worked exclusively in the realm of animation (including Pixar’s The Incredibles), gives even the most ridiculous feats of crazed derring-do an edge of believability, which helps smooth our much-needed immersion into the world of impossible missions. Bird brings a sense of elegance to the action genre, foregoing Michael Bay-like spatial incoherence and rapid-fire editing with longer takes and inspired framing that allows us to lose ourselves in the mayhem, rather than being simply throttled by it (Bird’s action style is reminiscent of John McTiernan’s best work in the late 1980s). The result is a highly enjoyable throwback—a reminder that all the aesthetic misdirection in the world can’t compete with real action done well.
|Mission: Impossible–Ghost Protocol Blu-Ray + DVD + Digital Copy 3-Disc Set|
|Subtitles||English, French, Spanish, Portuguese|
|Distributor||Paramount Home Entertainment|
|Release Date||April 17, 2012|
|VIDEO & AUDIO|
|For this Mission, Paramount has successfully delivered a pristine 1080p high-definition transfer that is top-notch in every regard. Color, clarity, and detail are all excellent—I would go so far as to say reference quality—and even potentially troublesome scenes like the Dubai sandstorm come off looking great, with no noise or pixilation. The fine detail in the image enhances the impressive stuntwork throughout the film, reminding us that, yes indeed, that is Tom Cruise actually clinging to the side of a building thousands of feet in the air. While the majority of the film was shot on traditional 35mm, some scenes were shot in the IMAX format, although the aspect ratio stays consistent throughout the presentation, thus making it hard to determine which sequences were shot in which format. The Dolby TrueHD 7.1-channel surround soundtrack is also top quality, with fantastic directionality and immersiveness, as well as a thunderous low end that puts you right in the middle of the sandstorm and the Kremlin explosions.|
|The majority of the supplements consist of behind-the-scenes featurettes of varying length that together provide a comprehensive picture of the film’s complex international production. Under the heading “Mission Accepted” we have three longer featurettes, which run between 15 and 20 minutes each. “Suiting Up in Prague” covers the location filming in Prague that doubled for the Kremlin and Moscow; “Heating Up in Dubai” covers the elaborate stuntwork used in the vertiginous Burj Khalifa sequence; and “Vancouver Fisticuffs” covers primarily soundstage work in the prison riot and the car garage sequences. Each of these featurettes is composed entirely of behind-the-scenes footage and includes voice-over interviews with more than a dozen of the film’s collaborators, including Tom Cruise, Brad Bird (whose personally shot iPhone footage is also incorporated throughout), and executive producer Jeffrey Chernov. Under the heading “Impossible Missions” are an additional 11 shorter featurettes (generally between three and six minutes) that cover other aspects of the production, including art direction, fight choreography, shooting in IMAX, the Dubai sandstorm, and composing the music. Brad Bird offers optional commentary on a number of deleted scenes, which also includes an alternate opening, and the disc also contains two theatrical trailers.|
Copyright ©2012 James Kendrick
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